An icon of Nineties indie film courtesy of her roles in ‘Dazed and Confused’ and ‘Party Girl’, Parker Posey talks to Adam White about grief, time travel and how the offer of a part in an Adam Sandler movie showed her that she and Hollywood no longer saw eye to eye
Though Donald Trump has tried his best to ruin Juneteenth weekend for all of us who celebrate with his Stephen Miller-inspired racist routine, Orange Trumpie can’t stop no show. We are still BBQing and though younger folks may be listening to hip-hop and other genres of music, some of us older folks are hearkening back to the hits of the late ‘50s, through the ‘60s and into the ‘70s during the heyday of rhythm and blues and what later became Black rock ‘n’ roll.
The wider entertainment industry is having a moment.
Long after people who work in the film and television industries started naming and shaming carefully hidden abusers and bigots, those in the video game, tabletop, and comic book industries are opening up about abusers in their fields as well. Over the past several weeks, accusations have been flooding onto social media, inspiring even more individuals to step forward with their own personal accounts. And, like much of 2020 that we’ve experienced so far, it all seems to be happening so fast.
The face of Tou Thao is like mine and not like mine, although the face of George Floyd is like mine and not like mine too. Racism makes us focus on the differences in our faces rather than our similarities, and in the alchemical experiment of the U.S., racial difference mixes with labor exploitation to produce an explosive mix of profit and atrocity.