From the archives: Before the World Wide Web did anything, HyperCard did everything.
Update 2019: It’s Memorial Day weekend here in the US, and the Ars staff has a long weekend accordingly. Many will spend that time relaxing or traveling with family, but maybe someone will dust off their old MacIntosh and fire up Hypercard, a beloved bit of Apple software and development kit in the pre-Web era. The application turns 32 later this summer, so with staff off we thought it was time to resurface this look at Hypercard’s legacy. This piece originally ran on May 30, 2012 as Hypercard approached its 25th anniversary, and it appears unchanged below.
Kondom des Grauens
In 1975, Marion Stokes got a Betamax magnetic videotape recorder and began recording bits of sitcoms, science documentaries, and political news coverage. From the outset of the Iran Hostage Crisis on November 4, 1979, “she hit record and she never stopped,” said her son Michael Metelits in Recorder: The Marion Stokes Project, a newly released documentary about his mother and the archival project that became her life’s work.
Gamers of a certain age probably remember being wowed by the quick, smooth scaling and rotation effects of the Super Nintendo’s much-ballyhooed “Mode 7” graphics. Looking back, though, those gamers might also notice how chunky and pixelated those background transformations could end up looking, especially when viewed on today’s high-end screens.
Emulation to the rescue. A modder going by the handle DerKoun has released an “HD Mode 7” patch for the accuracy-focused SNES emulator bsnes. In their own words, the patch “performs Mode at up to 4 times the horizontal and vertical resolution” of the original hardware.
Gimme, Gimme, Gimme – 1999