Coming not so shortly: a new helping of either Star Wars or Avatar for every Christmas between 2021 and 2027. Disney’s latest release schedule also promises eight more Marvel comic-book adaptations by 2022. Meanwhile, this year will see the spawn of not just behemoths such as Avengers, X-Men, Frozen, Toy Story, Spider-Man, The Lego Movie and Star Wars, but also less obvious franchise-launchers such as Godzilla, Men in Black, Shaun the Sheep, Angry Birds, Kingsman, Zombieland, Shaft and even Rambo. Never before have film sequels been so many and so varied.
The day before we met, László Nemes went to see a superhero movie. He didn’t last long. “I found it unwatchable and false, boring and self-referential, a world of ideal people who don’t behave as humans but more like machines.”
He smiles. It’s tea-time in the Islington, north London branch of Caffè Nero and Nemes gently explains that such films infantilise viewers in two ways. The plots let them defer responsibility for the fate of the world to demigods; the way they are shot – lots of signposting, everything carefully controlled – offers a false sense of omniscience.
Film and TV drama is booming, with the streaming services Netflix, Hulu and Amazon offering audiences hit after hit on demand. But, according to the acclaimed director Mike Leigh, this comes with an unfortunate side effect: that young British film-makers are being held back by a powerful “new breed of executive”.
This is one of my absolutely favorite films of all time, Fritz Lang’s ‘Metropolis’. I hope you enjoy this fan video (I created) featuring Blondie’s ‘Maria’.
The video was not made for commercial or material gain.
In loving memory of the actors and filmmakers who have passed away in 2018. We will remember you for all time.
When The Night Is Over – by Lord Huron