Monae Alvarado, a Cambodian woman who works at the City Center retailer, said the store employs only people of color at that location, but they were kept out of sight while the show was recorded for an upcoming episode, reported Philadelphia Magazine.
( Originally airing on Channel 4 )
The hilarity of Derry Girls is so powerful that it transcends language. The Irish sitcom, currently streaming on Netflix, follows four girls (and their teen guy accomplice) who are growing up in Northern Ireland during the last years of the Troubles. A good 74 percent of any given episode is likely unintelligible to anyone who didn’t grow up hearing an Irish accent; it took me a few episodes to admit defeat and finally switch on the subtitles. But subtitles or not, and my cursory knowledge of the Troubles notwithstanding, I still found myself cackling at one of my favorite new shows and falling in love with Erin, Orla, Clare, Michelle, and James.
Film and TV drama is booming, with the streaming services Netflix, Hulu and Amazon offering audiences hit after hit on demand. But, according to the acclaimed director Mike Leigh, this comes with an unfortunate side effect: that young British film-makers are being held back by a powerful “new breed of executive”.
Sheila: “Listen, bitch. You keep talking shit about us and I swear to God I will drop you.”
Christa: “Try it and I will kick your twat so far up your throat you’ll get pregnant giving blowjobs.”
Hasan Minhaj’s Netflix show goes further than even John Oliver in skewering technology.
On a recent episode of Patriot Act, “Content Moderation and Free Speech,” Hasan Minhaj walks onstage, framed by graphics flipping through images of Mark Zuckerberg, Sheryl Sandberg, floppy disks, and the Facebook thumbs-up. He soon asks the audience—and the viewers watching online—to think back to a time when we were excited to connect to the entire world through the internet.
Today, Minhaj explains, we’d prefer to log off. But social media is unavoidable:
Sex Education? Nope. House of Cards? No thanks. Russian Doll? Maybe I’ll add it to my list and literally never watch it.
Is it the sheer volume? The sea of garbage? The fact that services once loaded with high-quality flagship shows are trending toward mediocrity? Is it the pressure? The endless social media vortex that swallows all matter and light? Are our attention spans so battered and bruised we can’t even convince our frazzled neurons to fire in the right direction?
Jon Blistein: Rolling Stone
Nefarious cover-ups, the Civil Rights movement and the music and activism of Sam Cooke converge in the trailer for the next episode of the Netflix docu-series, ReMastered, out February 8th.
Cooke was shot dead at the age of 33 by motel manager Bertha Franklin, who said the singer broke into her office and attacked her. Because of this, Cooke’s death was deemed a “justifiable homicide” and Franklin was never charged. However, the singer’s family has long claimed that Cooke’s death was part of a larger conspiracy due to his prominence in the Civil Rights movement.
The trailer for Cooke’s episode of ReMastered offers a fascinating look at the tensions that defined the singer’s career. Though record executives wanted him to be nothing more than an entertainer, Cooke invited controversy and threats for championing Civil Rights and refusing to play segregated venues. As one interviewee suggests, the bigger a star Cooke became, the more threatening many people thought him to be: “Sam Cooke might be the most dangerous to you because he’s already in white American living rooms.”