It seems every conversation about colourism in pop music must come back to Beyoncé. So it was when Mathew Knowles, record exec, former Destiny’s Child manager and Beyoncé’s father, appeared on SiriusXM radio to discuss research by Texas Southern University, where he is a visiting professor. Their study found that over a 15-year period it was lighter-skinned black women – the likes of Alicia Keys, Rihanna, Nicki Minaj, Mariah Carey and, of course, Beyoncé – who dominated Top 40 airplay. When asked how different Beyoncé’s career would have been had she been darker-skinned, Knowles was unequivocal: “I think it would’ve affected her success.”
The US is becoming more diverse and progressive, but white men’s grip on power is being exercised via the courts, gerrymandering and dark money in politics
During World War II, with thousands of men shipping off to war, half a dozen all-female, instrumental big bands toured around America. It was a rarity in a musical world dominated by men and, for the most part, their stories have been erased or minimized in jazz history.
Jazz Night in America host Christian McBride has spent years tracing the history of some of these bands and notes that during this flourishing time for all-women groups, the 17-piece International Sweethearts of Rhythm had the most formidable level of popularity.
A fundraising campaign in Australia has raised hundreds of thousands of dollars to stop Aboriginal women from being imprisoned because of unpaid fines.